E-Bow Heaven

Track of the Week

Mask of Deceit (excerpt)

Mask of DeceitWeek 8 of the grand mp3 download extravaganza.

Here’s last week’s missing track… It is an EBow solo from my song ‘Mask of Deceit’ which deals with and was inspired by similar circumstances to Peter Hammill’s excellent album, ‘Over’, i.e. the breakdown of a reasonably long-term relationship under less than honest conditions. It was an exercise in venting of anger and feelings of betrayal, but the vocal on it is just so awful that I always skip past to the good bit. Which is what we have here.

It’s about a minute’s worth of an EBow solo, backed by piano and electric guitar. It has a very languid and fluid style, and is probably one of my favourite bits of my own guitar work. For those not familiar with the EBow, it is a gadget which attempts to allow guitarists a bit more expression like a violinist, by creating a magnetic field close to the strings which allows the notes to sound continuously without fading away. Due to the way it works it also seems to generate overtones of its own, creating a quite recognisable sound. It has been used by many guitarists, usually as a special effect for a single track, but John ‘Fury’ Ellis (of the Stranglers and the K Group) uses it regularly, and it was also apparently used by Big Country as part of the ‘guitars-as-bagpipes’ sound.

Click here to download.

White Silk

Track of the Week

White Silk

White SilkWeek 7 of the grand mp3 download extravaganza.

From the ridiculous to the sublime. White Silk was written by me after seeing a mysterious dark-haired young lady, dressed all in white, walking towards the water in the distance. Viewed from the other side of a small wooded area, she seemed to appear and disappear as she passed behind the trees, like a scene from a Brontë Novel.

I wrote 3 pieces of music, all aiming to be mysterious and sad, and bundled them into ‘The White Silk Suite’. White Silk itself is the middle of the three pieces and has lyrics, unlike the other two.

Getting self-critical for a moment, I have to say that I have a bit of a love-hate relationship with this song. I love the simplicity of very basic acoustic guitar and clear voice (Jennifer Leigh provides vocals here), but feel it’s still missing something. I love some of the imagery in the lyrics, but some of the words make me cringe. All in all, not a classic, but it does have a certain attraction. One for further work in the future, should the muse dictate.

And yes, the chord progression does borrow a section from Jethro Tull’s “We Used To Know”, but it’s not as blatant as “Hotel California”. Is it?

Click here to download.

Nee Naw

Track of the Week

Fire Engine Disco Remix (part 2)

George the Bedford Fire EngineWeek 6 of the grand mp3 download extravaganza.

Time for a little light relief. This one goes way back to 1985 and our first album. It features the whole band playing a minimalistic theme repeatedly on the range of instruments we were playing at the time. The tune should be recognisable to anyone over the age of about 10 from the UK. It is that lovely lilting melody which used to be played by fire engines (big surprise, there) as they sped to save the day – before they replaced the sound with that dreadful banshee wail that seems designed to replace your laxative of choice.

Anyway, the theme goes ‘Nee Naw Nee Naw Nee Naw’ and is repeated by the following instruments; piano, Farfisa organ, Slydee (see earlier post for details), Castrol Can (a large oil can fitted with a trumpet mouthpiece), VL Tone, Yobstick (see another earlier post for details), Yodeller (a large water tank fitted with a trumpet mouthpiece, voice and finally our friendly Bedford Fire Engine, George.

This was all recorded (apart from the fire engine) in our tiny Greenshed Studio on a wonderfully low tech mono cassette recorder, so don’t expect miracles with this little historical (hysterical) gem. All very silly and a lot of fun.

Click here to download.

Yet Another…

Track of the Week

Yet Another Granfalloon (2nd movement)

Week 5 of the grand mp3 download extravaganza.

No, I hadn’t forgotten about this week’s tune, but some positive comments about part 1 of Granfalloon have inspired me to re-think my choice and use part two instead.

Part 2 of this piece was composed in the same manner as part one, and shares certain common features, but is written for percussion and sampled vocals, This was very obviously inspired by Frank Zappa’s Jazz From Hell, with plenty of fast percussive runs and various bent vocal belches and snorks.

Click here to download.

Red Hot

Track of the Week

The Woman In Red

Week 4 of the grand mp3 download extravaganza.

Both Lee and I have written ‘Mysterious Woman in Colour X’ songs for some reason. Mine was called ‘White Silk’, and may make its way here eventually. Lee’s song was called ‘The Woman In Red’ and is probably just about the slowest and most ballad-like song the Deserters recorded. It was recorded in a single shot with just Lee and myself featured, though I later went back and recorded some extra keyboard backing to fill out the sound a little more.

Click here to download.

A Wee Dram

Track of the Week

Inverbegnac

Week 3 of the grand mp3 download extravaganza.

Many moons ago we came up with an idea for an exciting new drink, which was to be based on a mix of fruits which would be fermented and then distilled, before blending with a mix of fresh berries. The effects of this potent cocktail were elaborated upon in the song ‘Remembering the Juicy Berries’, but the actual drink itself was never produced. Probably just as well, since it would almost certainly have involved explosions or poisoning at some stage in the process. Some years later I was inspired to write this little ditty as an advertising jingle for the drink that never was.

Click here to download.

Granfalloonacy

Track of the Week

Yet Another Granfalloon (1st movement)

Week 2 of the grand mp3 download extravaganza.

This mp3 is the first part of a three-part instrumental piece of music written in a semi-classical style for a small ‘chamber’ group, which would ideally have been the Deserters plus guests (on oboe and violin). However, it was never recorded in such a manner, and what we have here is a demo of the track with all instruments played by me, with electronic alternatives filling in where there should be flute, oboe and violin.

There is quite an interesting mix of electric and acoustic instruments – electric guitar and bass, mandolin, Nancarrow-like piano, e-bow (I think this was the first time I had used the e-bow on a recording). They don’t always blend entirely successfully, but I still quite like the overall result

Click here to download.

Opening the Archives

I’ve had a dig around the Deserters archives recently, and have decided that the time has come to open them up and share the goodies within.

Track of the Week

One Night in the Back of a Fire Engine

The aim is to make a song available every week until the well runs dry, and try and provide some insight to the track here. I’ve started off with a classic Deserters song, as featured in ‘The Songwriters Guild’ compilation mentioned previously.

The song was written by Lee Newe many years before it was recorded. Jennifer Leigh features on lead vocals, with the Porter Girls on backing vocals. The ‘NeeNaw’ sound is provided by George the Bedford Fire Engine.

Click here to download.

Go to the Deserters website and look on the ‘Tuneography’ page for more details and other songs.

Enjoy!