Masters of Song Fu – "Happy People"

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My entry into the latest “Masters Of Song Fu” contest is up on their site, ready and waiting expectantly for your vote.

It’s a happy little ditty featuring uke, yobstick, synth (the old Crumar Performer string synth) and shaker. Comments on it so far include ‘dystopian joy‘, ‘sounds like toads playing tiny tin digeridoo‘ and ‘there’s something ominous here‘!

Lyrics and chords are as follows:-

Happy People
============

[Chorus]
G
When you are happy
C
it makes me happy
G
to see you happy
       D
to see me

When I am happy
You say it makes you happy
to see me so happy
to see you

[Verse]
Dm
    We're happy people
Gm
   We're happy people in a happy
Dm
World, we're happy people
Gm
Happy people in a happy
Dm
World.  We're happy people.
Gm
   We're happy people in a happy
Dm
World, we're happy people
C

~Chorus~

   C                          Bb               A
Apparently my joi de vivre's getting on your wick
My natural exuberance is making you feel sick
     Your grumpy face just makes me want to laugh
Even when you're drowning me for singing in the bath

   G               A7           Bb6                    A7
So turn that frown upside down, smile, your face won't crack
I'll keep on singing happy songs 'til I receive a  smack, because...

~Chorus~

~Verse~  (rinse and repeat)

Masters of Song Fu – Update #11 – Bad Fish (The Song From ‘Jaws’)

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You must choose one of those 1970’s Williams-scored Spielberg/Lucas flicks (JAWS, CLOSE ENCOUNTERS OF THE THIRD KIND, 1941, or STAR WARS). and write “The Song From…” that the film never had, in the style of a 1970’s pop tune (particularly in your instrumentation).

And thus ended Song Fu…

Here is my final non-competitive effort. The instrumentation could have been a bit more lush and over-the-top, but I was running too short of time for such luxuries. The bassline is a bit more mundane than when I first recorded it, as it became the subtle reference I mentioned last time. Then I blew any subtlety away in the last few bars as the bass reveals itself much more blatantly – it’s super-corny, but I just couldn’t resist it. Sorry.

Click here to hear the song

I don’t know whether there are plans for another run of the Song Fu challenge and, if there are, whether I should re-apply. A couple of the deadlines have been pretty tight (usually due to being away with work), but I’ve got 4 new songs out of it of varying quality, with inspiration for a couple more. What do you reckon?

Anyway, here are the lyrics and chords:-

[verse 1]C              Gm7  My, what big teeth you have,          Am             FSaid the swimmer to the fish    C                    Gm7One drop (of blood) in a million    Am             FAnd she became the dish       C        Bb     Fmaj7   Fmaj7of the day.       C        Bb     Fmaj7   Fmaj7of the d   -    a   -  y.

[verse 2]The mayor of "Shark City" isA sceptic through and throughIgnoring the problem until itSwims up and bites youon the ass

[chorus]         C   FIt was a bad fish       Am               Gm7->BbLike a piscine Jack the Rip-per  C   FA bad fish Am           BbA giant psychopathic kipper Fmaj7 x4 bars

[verse 3]Swapping tales of scarsWith buddies and a drinkYou'll need a bigger boatThis one's going to sinkfairly soon

~Chorus~

[verse 4]You'd be a much more efficient killerIf you didn't have that tell-tale finAnd you could still be alive todayIf you'd swallowed that oxygenSmile you son of a bitch

~Chorus~

Fade out on Fmaj7

Masters of Song Fu – Update #8 – The Ballad of Rufus Amos Adams

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Your task is to write a country ballad – using a backstory of your own creation – called “The Ballad of Rufus Amos Adams“.

Here’s the song for Round 3 of the Song Fu challenge (you know, the one I was knocked out of at round 1):-

Click here for the song

For some background to the song and the additional challenge I set myself, see this post. It does include all the items I mentioned, including a wobbly theremin-pretending-to-be-a-pedal-steel-guitar solo. Having now listened to the other challengers I realise that there was no yodelling, but I don’t know that would sit very well in a ballad, plus it was not in my original list, so too bad.

Here are the lyrics and chords (non-Scottish readers – minor translations included – move your mouse over a word you don’t understand):-

[verse1]  G        G           C               GI left the farm in the morning, around 6G       G             D       DFed the cattle on the wayG                G         C          GHeaded South for Dallas to pick up my girlG                  G         D        D And that's when my life went astray.

[verse2 - same chords as v1 except last line]She was waitressin' in the Korean restaurantNoodles on poodles she'd serveWhen a truck, red 'n' green, with the name of Christine    G              D          G         GToo fast round the corner did swerve

[verse3]Gm                 Gm      Cm        CmWhat happened just then, I fail to recall       Gm       Gm           Dsus4    D7But my world it descended to Hell          Gm         Gm          Cm     CmThere was kimchi and shitzhu and bodily parts in    Gm         Gm              Dsus4    D7The rubble and dust where they fell

[verse4 - same chords as v3 except last line]I grabbed the truck driver and gave him a kickin'For killin' my sweetheart so swellBut she wasn't dead - she'd just banged her headGm          D7          Gm         GAnd I spent time in the Bar-L

[chorus]G                        CI'm known around here as Amos AdamsG                     DSometimes as Rufus or Hank       G                   CI'd consider it lucky if I lived in Kentucky  G                  DInstead of a village just West of Buckie          G                    CWhere the trains are sporadic, money is tight  G                       DA bottle of Talisker gets you through the night  G                   CI wish to God that my Mama, that sod,    G        D              G         GHad named me something like Shug.

[verse5 - same as v2]Let out of prison this Christmas just pastI hoped for a change in my luckWhen I got home she wrote, on a tiny wee note"I've left with the man and his truck"

[instrumental verse - same as v2]

[verse6 - same as v2]Now I'm only a jakey from a wee Scottish townBut my life's like a Johnny Cash songMy name isn't Sue, but Rufus will doI guess Nashville is where I belong

~Chorus~... Had named me something like Tam.... or named me something like Doug... or even something like Shug


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Masters of Song Fu – Update #7

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Your task is to write a country ballad – using a backstory of your own creation – called “The Ballad of Rufus Amos Adams“.

The song is now written, having walked around all week with a list of the requirements in my pocket and no idea how to get them all together. The answers came once I had the story behind the ballad, and the various items then all slotted into place fairly well.

It’s the story of a Scottish lad with a country and western name and the trouble that follows because of it – it sits somewhere between ‘A Boy Named Sue’ and Billy Connolly’s version of ‘Tell Laura I Love Her’. It features ALL the subjects required for the ‘perfect’ country song as well as a little reference to ‘Stobby‘. I’ll post the lyrics when the recording is complete, probably tomorrow night.


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Masters of Song Fu – Update #6

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The third challenge is up and ready to begin. They’re down to just two Masters and two Challengers now, with the final round approaching soon. The latest challenge is a bit of a stinker:-

Your task is to write a country ballad – using a backstory of your own creation – called “The Ballad of Rufus Amos Adams“.

To me this is a bit of a wide-open challenge – really the song could be about anything so long as Rufus is mentioned somewhere. Time for some self-imposed restrictions to get the brain something to grab onto, but what should they be? Country is not a musical genre I’m particularly familiar with beyond the ‘classics’, and have almost no experience writing anything in that vein. The possible exceptions to that being ‘The Middle Eastern Western’, which was just a country backing to some Gulf War (v1) and old cowboy film samples, and more recently ‘Stobby’, which has a bit of a country-rock sound to it in places.

So, what makes a good country song? 10 seconds googling gives us a list for the attributes required for the ‘perfect’ country song. They are as follows:-

  1. Clever lyrics (a pun, a joke, or a play on words, preferably in the title of the song)
  2. Regret
  3. A stalwart, but flawed, protagonist
  4. A pedal steel guitar
  5. Alcohol (of course)
  6. Reverence for the land, especially the South

Steve Goodman and John Prine also suggest:-

  1. Mama
  2. Trains
  3. Trucks
  4. Prison
  5. Gettin’ drunk
  6. Farms
  7. Dead dogs
  8. Christmas

Arguments about lists like this could rage for decades, but it seem like a good start based on the country songs I’m familiar with, so here’s my additional challenge:-

Include at least 10 of the subjects required for a perfect country song from the supplied list.

Of course, I will try to get them all in the song, but that might be just too much to ask!


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Masters of Song Fu – Update #5 – The C5 Shuffle

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Your challenge is to choose a famous inventor and craft a song proposing a “dance craze” based on either the inventor or one of his/her most well known inventions.

Just finished mixing this non-submission to Song Fu.

Here is a link to the song.

Sinclair C5 Press Photo

It’s called ‘The C5 Shuffle’ and the inventor in question is, of course, Sir Clive Sinclair. For those outside the UK or too young to remember, Sir Clive designed the best-selling home PC in the UK. It was pretty wretched, even for its own time, but was the door into computing for thousands. His follow-up invention was eagerly anticipated, but the battery-powered C5 was something of a failure, being both before its time and far from reliable or even practical. There are plenty of them still about, see here, but I think I’ve only ever seen one on the roads myself. From the way the vehicle is driven in the picture and the chorus of the song, it should be pretty clear how the dance works.

Here are the lyrics for the song, along with some chords for the musically inclined:-

[Verse1]GTrundling alongBSo close to the groundC3 wheels are spinning, butCmwhat's that clicking sound?

Watch out for the fumesRoundabouts are deadlyHills are out of boundsIn our electric pedalled medley

[chorus]      G            D  D7  Dm7We're gonna do the C5     C            G  G6 G       DIt's kinda like a three-wheeled jiveInvented by good old Sir CliveLet's take it for a MicrodriveAnd the Hoover motor might contriveTo get us all home alive

[Verse2]Arms close to your sidesGrab the handlebarsShoulders up and downWiggling your arseBattery's gone flatPedal for a whileNow get out and pushYou're dancing with such style

[chorus]We're gonna do the C5It's kinda like a three-wheeled jiveInvented by good old Sir CliveLet's take it for a MicrodriveAnd the Hoover motor might contriveTo get us all home alive

Gm                   F                       C2      Am7I've got used to the scornful looks from the passing carsGm                     F               Am7        C2and their comments and mocking tone so derisoryGm                             F                   C2         Am7But they'll be laughing on the other side of their facesGm                F         Am7           D              D(higher)In 10 short hours once I've recharged the battery

[Verse3]Arms close to your sidesGrab the handlebarsShoulders up and downWiggling your arseBattery's gone flatPedal for a whileNow get out and pushYou're dancing with such style

[chorus]We're gonna do the C5It's kinda like a three-wheeled jiveInvented by good old Sir CliveLet's take it for a MicrodriveAnd the Hoover motor might contriveTo get us all home alive

[alt chorus]We're gonna do the C5 (ah ah ah)It's a miracle we're stayin' alive We're gonna do the C5 (it's so delicious and moist)I dunno how we're still aliveWe're gonna do the C5 (we're heading for home)Let's hope we all arrive alive


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Masters of Song Fu – Update #4

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The second round of Song Fu has begun and the next challenge has been set. As expected, I didn’t make it through to the next round, but I’m planning on following through with each of the challenges anyway. It focuses the mind and sets an unbreakable deadline to create something new. So…

Your challenge is to choose a famous inventor and craft a song proposing a “dance craze” based on either the inventor or one of his/her most well known inventions.

This struck me as a much more interesting challenge than the first, as within the space of a minute of reading this challenge I had 3 ideas about subject matter, though it quickly became apparent that only one of those was really workable. I won’t reveal any more at this stage, though I’m pretty sure that it won’t be duplicated by those still in the competition as it has a bit of a UK bias. I will say that I have already got a first draft of the lyrics written, which I’m pretty happy with. Just need to work out some music to go with them and I can get stuck into recording.


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Masters of Song Fu – Update #2 – First Impressions

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After quite a bit of fiddling about I finished the new song last night, and it is now available for download at the Quick Stop voting page.

Don’t forget to vote!

The song is called First Impressions and is a “Moon’s-eye” view of the Earth and the influence of the Moon on us and vice-versa. The uke part I recorded didn’t really sit with the style of the song, so I dropped it, but did keep a gentle little harmonica introduction and outro. I think this is the first time I’ve recorded a song with the mouth organ – it’s not something I play very often, but it sits here quite well and is a little reminder of the portable nature of this recording.


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Lyrics Galore

Lyric View

To give a little more insight into the Board’s songs, the lyrics from all the songs in the first two albums are now available on the website.

Simply click on a song name on either the Eponymous Debut page or the Difficult Second page to be taken to a more detailed view of each song showing the lyrics and credits for the song. Over time we’ll probably add to these details to give some more background about the songs and their inspiration.

The Album’s in Sight

We had a pretty long, and fairly intense, recording session today, getting drums, bass and lead vocals completed for all the remaining album tracks. Since we’ve done most of these in practices for over a year now it was not a case of learning things anew, but rather laying down the definitive takes. After a slightly creaky start we got well under way, with Sean adjusting to playing along with a click track on some songs – not something we’ve ever done before, but a necessary evil of doing the initial base tracks that I’ve been working on over the last couple of months.

We got some good recordings for the three ‘big numbers’; “Performance Evolution” where we managed to navigate through several time signature changes and vocal styles, “Fairytale Propaganda” which we’ve tended to play too fast in the past, but settled on a more laid back tempo today, with a long building introduction partly inspired by Pink Floyd’s “Shine on you Crazy Diamond” and the new song “Freeman” which came together quite naturally and took on a new life with bass and drums.

The two atmospheric spoken-work songs, “PKD Dum Dum” and “The Bell Curve” had a few layers of percussion and vocals added, which I’ll be editing down to fit into the style of the music. “The Parallel Curve” also started life as a slow spoken-word thing, but we’ve tried a number of approaches to it over the last year without success. Today Sean started singing the lyrics at a much faster tempo and it fit well, so we quickly pulled together a rhythm part for him to sing along with and we finally had a recording of the song that actually works.

With all that put together, I have some further overdubs to add, then work can begin on mixing, so I’ll probably not be reporting back on here until I have some completed songs to comment on (i.e. Hype!)

There will also be some lead-up PR work being done over the next few weeks to let people know what’s coming from The Board, including the cover for the album, which is now complete and agreed and the ability to pre-order the album with a special incentive!