Frank Zappa » Mick Bordet

Octobass

I’m just back from a week in Paris where I visited the fantastic Cité de la Musique, home to the Musée de la Musique with its extensive collection of instruments from centuries ago up to the modern era. The focus of the museum is classical music, with only slight nods to folk/world/rock and other popular genres, but the collection is well-presented with many of the instruments on display accompanied by audio examples provided on a headset included in the ticket price. This is a great way to see and hear some really obscure old instruments.

Of particular interest to me were the wide range of lute-based instruments, glass wind instruments (the flutes in particular looked amazing), a glass harmonium, some truly bizarre brass instruments and the 3.5m tall Octobass (pictured here).

Moog Series 900

It was when I got to the top floor of the museum that my eyes popped out on stalks. The very first thing I saw as I came up the stairs was their RCA Theremin, complete with original RCA speaker enclosure. Beside it sat an Ondes Martenot and behind them a display of the more unusual instrumentation used in Varèse’s “Ionisation” – gongs, castanets, maracas, two sirens and the “lion’s roar”.

EMU Modular Synth

I should have taken out the camera by now, of course, but as I moved along the instruments I whisked it out and started clicking away. First up and close to hand (but not for touching or playing, unfortunately) was a Moog 900 Series modular synth.

Behind that sat the imposing form of the E-mu modular, but not just any model, oh no, this one was owned by none other than Frank Zappa.

EMS VCS-3 'Putney'

It’s hard not to love the VCS-3 ‘Putney’ synth, apparently simple in comparison to the big modulars, but overflowing with flexibility thanks to the pin-matrix used for shifting signals around and the rather dainty joystick. These little critters were all over the 70′s, from Pink Floyd to the BBC Radiophonic Workshop.

Synclavier

Synclavier & DX7 mk1

Zappa was also a big fan of the Synclavier and there was an early model here too. Now, I don’t feel like I should be in a museum, but there behind the Synclavier is a DX7 mk1, the same model that sits in my studio. Yes, folks, I’m playing with a museum piece.

Gmebaphone (right side)

Gmebaphone (left side)

I had never heard of a Gmebaphone, a half-hexagonal synth console that wouldn’t look out of place on a low budget scifi movie from the 60′s, but one sits out at the end of the modern music display. Designed to synthesise sound within a 3D space, it certainly looks impressive, though I suspect its use is mainly in fairly academic circles.

The Cité de la Musique is certainly worth a visit – I just wish there were somewhere like that in Scotland.

There’s another story from me, now ready at Great Hites. This one is musical in nature, after a fashion, and puts a bit of a spin on the question “What kind of band would you hire if money was no object?”

I’ve been doing quite a lot of behind-the-scenes work on “Some Other Scotland” this week, which should hopefully allow me to forge on with the story with out interruption. I now have a massive chart with all the character details, who they have interacted with, who they will meet in the future (subject to change, of course) and a rough idea of where the next 5 or 6 episodes are heading. Now I just need to get writing.

Finally, I’ve been giving some thought to promotion of the podcast. It has been reasonably low key to date, partly because I wanted to be sure it could work and that people would actually want to listen to the ongoing story. Now that I know this to be the case, I’m ready to start pushing it out a bit more. I have a few ideas so far, so will probably pick the best of them and plan around doing something in line with the 13th episode (i.e. 1/4 of the way through the story).

Jimmy Carl Black RIP

1-2-1938 to 1-11-2008

Another rock legend has left the stage…

JCB was the drummer with the Mothers in their earlier days and stamped his unique sound onto some of the finest albums in the Zappa collection. What he may have lacked in the technical skill of later Zappa drummers, he more than made up with character and humour.

I was lucky enough to see Jimmy perform a couple of times, both as drummer with the Grandmothers and vocalist with the Muffin Men, and on both occasions his presence filled the stage. We’re starting to run out of rock’s great characters…

One of Zappa’s favourite tricks around the “Joe’s Garage” era and beyond was the practice he called “xenochrony” or “strange synchronisation”. This involved him taking a piece of music (often a studio backing track) and overdubbing it with a totally unrelated (usually a live guitar solo) track from a completely different song. After some fiddling about, the result was a melody that would play what appeared to be insanely complex polyrhythms over the top of the new song. It’s something I’ve always wanted to have a shot at, but lacked the source material to work with.

Then I came across a beautiful bass solo written by Doug Boucher over on his MySpace page. It’s called “Requiem For A Head Laying In A Field In Butler” and is dedicated to the very wonderful Mike Keneally. I really enjoyed the piece and tried playing some haunting theremin over the top, some of which came together quite nicely, and other parts of which were less successful. I then tried putting the piece together with some of Sean’s drumming for (I think) The Winning Smile – two unrelated bits of music coming together to form something new altogether. To this new hybrid track I set about playing guitar and theremin, with pretty good results. There are places where the bass and drums drift apart to give a very laid back feeling, and others where they synchronise exactly, including some where the drums and bass reach a crescendo at the same time before gently tailing off.

As usual, you can find more about the track over at The Lunacy Board site.

<a href="http://lunacyboard.bandcamp.com/track/xenochronous-requiem-for-a-head-laying-in-a-field-in-butler" onclick="javascript:_gaq.push(['_trackEvent','outbound-article','http://lunacyboard.bandcamp.com']);">Xenochronous Requiem For A Head Laying In A Field In Butler by The Lunacy Board</a>

I’ve had more than my fair share of hillbilly / redneck experiences in this last week – must be something in the air.

Jerry Springer – The Opera

Jerry Springer Logo

At the start of the week we treated ourselves to a night at the opera; ‘Jerry Springer – The Opera’, to be precise. It’s had quite a bit of press about some of its content and indeed, the local holy Joes were out in force with leaflets condemning us all to hell for even setting eyes on it. But really, what a great show! It’s probably closer to rock-opera than plain opera, but the very sound of trained opera singers belting out a string of obscenities is worth the ticket price alone. Add to that the fact that the content of your average Jerry Springer-type show is EXACTLY the sort of stuff that makes for all the best operas (yes Puccini and Verdi may be more high-brow, but they’re writing about THE SAME STUFF) – adultery, murder, cross-dressing, journeys to Hell – it’s all here.

As for the content the moaning Minnies are upset about, it’s pretty tame stuff, and in fact most of what they’re shouting about isn’t even true (big surprise, there). Yes, they do a Jerry Springer show in Hell, with various biblical personalities including Jesus and God included, but it’s looking at the battle between good and evil, the grey area in-between, and acheiving some kind of balance. It’s more about the issues, values and choices that most religions claim to be about (basically be nice to each other), rather than the figureheads that organised religions end up concentrating on. And no – they don’t have Jesus wearing a nappy.

So if you’re not easily offended (by swear words – a lot of them – or the use of religious figures to tell a moral [kind of] tale) then I’d thoroughly recommend seeing this show. It is ‘fall-off-your-seat’ funny, with plenty of memorable songs – lines like “Dip me in chocolate and feed me to the lesbians”, a coherent plot and a Zappaesque sense of humour. There’s a trailer here.

Hayseed Dixie

I’m no great fan of AC/DC, nor of bluegrass music particularly, but when I was offered a ticket to see a band playing AC/DC in a bluegrass style, I just had to know more. These guys can play – guitar, mandolin, banjo, fiddle and bass – pretty much as well as any bluegrass band I’ve heard (not that many, admittedly), including a pretty nifty version of ‘Duelling Banjos’ from ‘Deliverance’ in their setlist.

You’ve just got to smile when they kick into ‘Whole Lotta Rosie’ or ‘Highway to Hell’ whilst dressed in authentic(ish) hillbilly gear and singing with that mountain-man drawl. It’s an assault on the senses – 2 hours of high-octane (moonshine) finger-pickin’ acoustic rock, but somehow it works. It really shouldn’t, and yet it is disturbing how easily AC/DC (and other rockers like Aerosmith and Motorhead) translates into bluegrass, and the original version of ‘Ace of Spades’ sounds like a laid-back ballad compared to the speed these guys take it at.

Certainly not everybody’s cup of tea, not even mine really, but definitely an entertaining night out and a must-see for lovers of heavy rock (especially AC/DC) wanting to try something new. Have a look here for more info, including a video clip of ‘Ace of Spades’.

See y’all later, y’hear?

Track of the Week

My Wee Green Buddy

Week 13 of the grand mp3 download extravaganza.

If you liked the ‘Yet Another Granfalloon’ pieces, then this short instrumental ditty should be of interest. It’s an earlier attempt at a similar style, in this case purely electronic, owing much to Zappa’s ‘Jazz From Hell’ album.

It takes its name from a series of books by Robert Rankin which feature (amongst many other things) a time-travelling sprout called Barry who takes up residence in Elvis Presley’s brain and uses him to re-write history. Yep, it sounds pretty daft, and it, in fact, is. But it’s a bit of fun, and if you like Douglas Adams and / or Frank Zappa then why not give it a try. Rankin’s a bit of a Zappa / Beefheart fan, and loads of references appear all through most of his books, not least of which is the brilliantly titled “Sprout Mask Replica”.

<a href="http://mickbordet.bandcamp.com/track/my-wee-green-buddy" onclick="javascript:_gaq.push(['_trackEvent','outbound-article','http://mickbordet.bandcamp.com']);">My Wee Green Buddy by The Deserters</a>

The whole album, A Cavalier Attitude is now available for download. Pay whatever you think it is worth to you!

Track of the Week

Yet Another Granfalloon (2nd movement)

Week 5 of the grand mp3 download extravaganza.

No, I hadn’t forgotten about this week’s tune, but some positive comments about part 1 of Granfalloon have inspired me to re-think my choice and use part two instead.

Part 2 of this piece was composed in the same manner as part one, and shares certain common features, but is written for percussion and sampled vocals, This was very obviously inspired by Frank Zappa’s Jazz From Hell, with plenty of fast percussive runs and various bent vocal belches and snorks.

<a href="http://mickbordet.bandcamp.com/track/yet-another-granfalloon-ii" onclick="javascript:_gaq.push(['_trackEvent','outbound-article','http://mickbordet.bandcamp.com']);">Yet Another Granfalloon II by The Deserters</a>

The whole album, A Cavalier Attitude is now available for download. Pay whatever you think it is worth to you!

Mick Bordet

Paris in the Synthtime

The Robot Band