Oct 142008
 

Song Fu logo

The fourth and final challenge has been posted. The competition is now between the remaining challenger, Jason Morris, and the leading master, The Rifftones. The challenge is another genre-specific one, though the remit is a bit more limited than previous rounds:-

You must choose one of those 1970’s Williams-scored Spielberg/Lucas flicks (JAWS, CLOSE ENCOUNTERS OF THE THIRD KIND, 1941, or STAR WARS). and write “The Song From…” that the film never had, in the style of a 1970’s pop tune (particularly in your instrumentation).

I can think of a few possible options for this, but I think I’ll go for Jaws as the one with most scope for writing an interesting song about. Time to put the string synth to the test – cheesy orchestral washes coming right up…

Incidentally, I actually had a dream last night that I was attacked by a shark whilst swimming in Loch Lomond (which is freshwater and shark-free), defending myself by punching it on the nose (which apparently CAN work as an act of last resort). I don’t know what prompted that subject, as I’ve not been aware of shark-related news since this article caught my attention a couple of weeks ago, however it is too good a coincidence to ignore!

Jun 102008
 

Smile

I’ve just finished off the first of the three songs that have been worked on for the last week or so, ‘The Winning Smile’. I ended up taking out all the midi tracks and keeping everything analogue – vocals, guitar, ukulele and the Crumar Performer string section – it sounds totally different to the first attempt.

Then, after posting this and looking through the lyrics to the song it dawned on me that I had missed a whole section out, which explained why the song had ended up about a minute shorter than I had expected.

Currently busy with the artwork for the new album…

The Bell Curve

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May 272008
 

The Bell Curve

Another set of backing tracks have been completed, this time for a short spoken-word piece by Sean, called “The Bell Curve“. It is a very laid-back track, starting with an atmospheric build up of synth textures which give way to a gentle string-based backing. This was the first time I’ve extensively used my ‘new’ Crumar Performer on a recording – the resonant synth-brass sound sits in the background of the introduction, then the string sound was used in the main part of the track. It can be quite noisy compared to modern synths, but has a great feeling of movement which helps keep the fairly simple chord pattern interesting.

Some of the effects noises in the introduction came from the depths of my old TX81Z sound module, several of which were originally designed for the instrumental “Mick’s Astonishing Megamix (parts 1-4)” back in the Deserters – slowly evolving drain-like sounds. Great fun to revisit those things and find another use for them.

Merry Humbug

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Dec 212007
 

The latest Board recording session was a bit of a mixed bag – partly due to technical problems with the monitoring of the sound and partly due to a lack of planning, perhaps. We ended up with a single recording, albeit a 20-minute, multi-instrumental one. This was a bit of an attempt to recreate some of the live experience in a studio setting by recording an extended improvisation tying together The Unofficial National Anthem and Morning Rolls in one long track. However, neither of the two songs were a patch on existing recordings, so I doubt we’ll use them. Some parts of the instrumental worked quite well, and I would reckon we could probably get it edited down into a pretty decent four or five minute piece.

I have done a bit more writing over the last few months – putting a better structure to The Parallel Curve, a song about corporate lunacy, which we first tried recording back in March this year. I’m hoping to put a new demo together for it in the next week and possibly record it at the next session. I also have some bare bones of a song started which covers some themes about power, leadership and control through the ages – a verse, a chorus and some chords exist so far, and even a little bit for the celtic flute. I’m still struggling to get Jim Crow into a finished state – it rolls along rather nicely in its new doo-wop styling, but needs another couple of verses to do the subject justice.

That’s about it for the moment – I’ve been without a studio for a couple of weeks as I’m shuffling it around a bit now that I’ve had some time to live with it and can see improvements to my original plan. I’ve also got a very cool new-but-old keyboard which I needed to make room for – more to follow on that shortly!