Welcome Mr. Wheezy

J Busilacchio Reed Organ

Since the days of the Green Shed Studios and the big Farfisa organ we had there, I’ve always had a bit of a soft spot for the sound of the organ. Nothing else sounds like a proper pipe organ being played well in a cathedral and echoing round the space, filling the audio spectrum with trouser-flapping bass and angelic overtones. And the latest addition to my sonic arsenal fits the bill – it sounds nothing like that, but perhaps a bit more like an asthmatic monk playing an accordion in a public toilet.

Introducing the J. Busilacchio electric reed organ – it’s a keyboard in a suitcase, includes 4 legs which screw in to the bottom and an on/off switch. Turn it on and a fan starts pumping a cool breeze across your fingers and you’re ready to go. It has a great sound – effectively it’s a harmonium without the bellows, or a horizonal accordion. The air gets pumped over metal reeds which results in a rich sound a bit like a pipe organ with a bad cold – not as bold or clear, but with a dignified, if slightly dishevelled, air. It’s defintely more Ivor Cutler than Van der Graaf Generator, but that’s certainly no bad thing. It sits quite well with theremin, so I may create something to feature the two together.

There’s really not a lot of information available about these – they do crop up fairly regularly in online auctions, along with similar items by other manufacturers. I’ve seen them described as dating from the 40′s, which I find a little hard to believe, as they have more of a 60′s feel to them. They’re also known as Chord Organs, due to the panel of accordion-like chord buttons to the left of the keyboard, though this tends to lump them in with some pretty ugly-looking plastic things with plastic reeds which really are not in the same league. If anyone has more information about the history of these critters, let me know.

UPDATE

I’ve done some more digging around, and discovered various different versions of the organ. I’ve put details on a new page on the Deserters site, here.

Note to eBay sellers: You are welcome to use the details about Busilacchio/Lorenzo organs from this page on the condition that you include a link to this page (http://www.the-deserters.co.uk/inst_organs.html) on your listing so that your potential buyers have access to all the information.

Farfisa Frenzy

For some reason, perhaps Google have recently updated their index, there has been a large jump in visits to the blog here, 90% of which are from a Google Images search on Farfisa. The post from April this year Makkie’s Rhythm included a picture of a Farfisa organ, which is now appearing as 4th in a google search. All very nice, but apologies to anyone searching for information about Farfisa organs here – I don’t have any!

Well, okay, here’s some background about the one we used… It came from some club or other and was on its last legs when it arrived at the Green Shed for us to use. It had a solid veneer of nicotine mottled with beer and grew progressively smellier as it warmed up with use. I don’t know what model it is – I did a bit of research recently for more information, but came up with very little, but it had a built-in rhythm section (as used in the aforementioned track) and tape recorder. It also supposedly had a Leslie cabinet built in, but the switch to turn it on did nothing. At the time none of us had any idea what a Leslie was, sowe didn’t realise what we were missing, or even how we could go about fixing it to get that unique sound. Oh well. At the time we did think it was an incredibly cheesy addition to our instrumental ranks, but it served us well whilst it lasted.

Unfortunately, one day it just died in a shower of sparks and our association was almost over. I did manage to salvage the rhythm unit from it and get it operating as a stand-alone analogue drum machine of sorts. It was not programmable, but you could jam two or three rhythm type buttons down together to create new composite and quite dense mega-rhythms, which was pretty nifty. I don’t know what happened to that part of it, though – I can only assume it was ‘lost’ in a house move.

The Green Shed Googlewhack

Every so often I’ll check to see how people are arriving at the blog or the main Deserters site. There’s usually a fair mix between people looking for the band specifically and ‘accidental’ visits by people looking for information on military desertion or fire engines. Every so often there’s a little gem that makes me smile – somebody does a search for ‘what does eximious mean?’, for example. The latest was for ‘greenshed, progressive rock’ from Yahoo japan.

When I did a search on this myself, this blog was the only entry (a Googlewhack, I believe?), so I dug around for anything else about ‘green shed’ that could be remotely related to progressive rock. Not a thing could I find. So the question is; is there somebody over in Japan creating prog rock under the name ‘Greenshed’, or was this a return visitor to the site who’s enduring image of the band is of us recording in a green shed? Who knows (or cares)?

Summery Summary

The sun is out here and I’ve got 10 minutes to spare, so I’ve tidied up the Deserters front page, removing all the old ‘Track of the Week’ entries and replacing them with a single list of links to the files and links to each blog entry so you can read all about them.

So, if you’ve enjoyed a track or two, they’re now all handy for downloading in a thrice for the full Deserters experience. What are you waiting for?

Miniminiminiminiminalistic

Final Track of the Week

Phill Up The Glass

a glass

Week 17 of the grand mp3 download extravaganza.

For the last ‘Track of the Week’ (at least for the next few months), here’s another original track from the Bordet / Leigh spin-off album ‘Mux-Ip’. You may have guessed from the name that it is inspired by the music of Philip Glass, in which case you’d be correct. However, the track started life quite differently as a study in using bird song in music. I transcribed the songs of a number of birds in the local area, with the plan of building up a whole piece of music, but on listening closely found that the repetition occuring naturally, when put in a musical context, ended up coming out like a minimalist piece, so I went the whole hog and filled out the birdsong themes with those repetitive-sounding arpeggios beloved of the minimalist movement.

This was one of the last pieces I wrote using the music computer I bought some years earlier (a Yamaha CX5M) and which required every note to be manually entered one at a time.

That’s it from the Deserters archives for the time being. I hope you’ve enjoyed the music as much as I’ve enjoyed re-visiting the past. Normal service will now be resumed, so don’t forget to check back for news of current activities (or use the RSS feed if you know about such things).

Click here to download.

Why Doesn’t Somebody Buy Him A Guitar?

Track of the Week

Soundtrack of a B-Movie

Plan 9

Week 16 of the grand mp3 download extravaganza.

In one of the periods between Deserters activity in the late 80′s, Jennifer Leigh & I recorded a limited run album called ‘Mux-Ip’, which was a collection of cover versions and originals performed as a duo. This week’s track, ‘Soundtrack of a B-Movie’, comes from that album (as does next week’s track).

This was one of my earliest uses of multi-track recording, and was recorded using a mini keyboard (a Yamaha SHS-10) and a dodgy Strat copy guitar. The low-budget nature of this track is emphasised by the lack of the original recordings to take this from, so this is a 3rd generation cassette copy. It does, however, have a certain charm, despite its failings.

The piece is effectively a 6 minute guitar solo with cheesy auto-keyboard percussion, some synth pads and the occasional effect (tubular bells, radio clips, etc.)

Click here to download.

Complexion Like Mouldy Corned Beef

Track of the Week

Heavy Metal Ballad

Corned Beef

Week 15 of the grand mp3 download extravaganza.

We’re coming towards the end of this run of free downloadable goodies. Whilst there is more Deserters music in the archives, it’s not yet in a form suitable for the web. I’ve probably got enough for another two weeks, so enjoy it while it lasts.

This week we have a song which has a title which is a bit of a misnomer – ‘Heavy Metal Ballad’ – as it is neither heavy metal, nor a ballad. It has a similar feel to ‘One Night in the Back of a Fire Engine’, but deals with the teen angst of spots, dental hygiene and body odour. Simple and upbeat, with a bit of a nasty streak. Lyrics by Lee Newe, once again, with music by yours truly.

Click here to download.

Polish the Blade

Track of the Week

The Complete 1978 Song

Axe

Week 14 of the grand mp3 download extravaganza.

This song has a similar feel to ‘The Woman In Red’, however this is certainly no love story, but a very sparsely arranged murder ballad, inspired by the story of Lizzie Borden. Music and Lyrics are by Lee Newe on this one, which has a bit of a strange history.

It started life as a heavy metal celebration of biker life; “Motorbike, Motorbike, Do what you like. I’m gonna pull a chick on Saturday Night.” The original lyrics by Lee were put to music by yours truly, but never recorded. Probably just as well. I do still have a backing track for it somewhere, but the final song was a definite improvement on the original.

Click here to download.

Eat Your Greens

Track of the Week

My Wee Green Buddy

A Sprout

Week 13 of the grand mp3 download extravaganza.

If you liked the ‘Yet Another Granfalloon’ pieces, then this short instrumental ditty should be of interest. It’s an earlier attempt at a similar style, in this case purely electronic, owing much to Zappa’s ‘Jazz From Hell’ album.

It takes its name from a series of books by Robert Rankin which feature (amongst many other things) a time-travelling sprout called Barry who takes up residence in Elvis Presley’s brain and uses him to re-write history. Yep, it sounds pretty daft, and it, in fact, is. But it’s a bit of fun, and if you like Douglas Adams and / or Frank Zappa then why not give it a try. Rankin’s a bit of a Zappa / Beefheart fan, and loads of references appear all through most of his books, not least of which is the brilliantly titled “Sprout Mask Replica”.

Click here to download.

The Drevulon Adventure

Track of the Week

Drevulon Poseiden

Week 12 of the grand mp3 download extravaganza.

Another track featuring the Newe/Bordet – lyrics/music writing combination, this track deals with urban alienation and the suppression of the man in the street. Guest stars Andy on guitar – a pretty nice solo – and features yours truly on vocals for a change.

That’s us caught back up with schedule, so back to normal next week, hopefully.

Click here to download.