It has been a while since I last undertook a musical challenge. Song Fu has passed on, but in its place has risen SpinTunes. This is a similar set of challenges to Song Fu, but with a judging panel rather than a public vote. I missed the deadline for the competition itself, but did complete a song nevertheless. Here it is:-
You can download the tune here or visit the album page where all the tracks submitted to the competition can be downloaded in a single file. All for free!
Octobass
I’m just back from a week in Paris where I visited the fantastic Cité de la Musique, home to the Musée de la Musique with its extensive collection of instruments from centuries ago up to the modern era. The focus of the museum is classical music, with only slight nods to folk/world/rock and other popular genres, but the collection is well-presented with many of the instruments on display accompanied by audio examples provided on a headset included in the ticket price. This is a great way to see and hear some really obscure old instruments.
Of particular interest to me were the wide range of lute-based instruments, glass wind instruments (the flutes in particular looked amazing), a glass harmonium, some truly bizarre brass instruments and the 3.5m tall Octobass (pictured here).
Moog Series 900
It was when I got to the top floor of the museum that my eyes popped out on stalks. The very first thing I saw as I came up the stairs was their RCA Theremin, complete with original RCA speaker enclosure. Beside it sat an Ondes Martenot and behind them a display of the more unusual instrumentation used in Varèse’s “Ionisation” – gongs, castanets, maracas, two sirens and the “lion’s roar”.
EMU Modular Synth
I should have taken out the camera by now, of course, but as I moved along the instruments I whisked it out and started clicking away. First up and close to hand (but not for touching or playing, unfortunately) was a Moog 900 Series modular synth.
Behind that sat the imposing form of the E-mu modular, but not just any model, oh no, this one was owned by none other than Frank Zappa.
EMS VCS-3 'Putney'
It’s hard not to love the VCS-3 ‘Putney’ synth, apparently simple in comparison to the big modulars, but overflowing with flexibility thanks to the pin-matrix used for shifting signals around and the rather dainty joystick. These little critters were all over the 70′s, from Pink Floyd to the BBC Radiophonic Workshop.
Synclavier
Synclavier & DX7 mk1
Zappa was also a big fan of the Synclavier and there was an early model here too. Now, I don’t feel like I should be in a museum, but there behind the Synclavier is a DX7 mk1, the same model that sits in my studio. Yes, folks, I’m playing with a museum piece.
Gmebaphone (right side)
Gmebaphone (left side)
I had never heard of a Gmebaphone, a half-hexagonal synth console that wouldn’t look out of place on a low budget scifi movie from the 60′s, but one sits out at the end of the modern music display. Designed to synthesise sound within a 3D space, it certainly looks impressive, though I suspect its use is mainly in fairly academic circles.
The Cité de la Musique is certainly worth a visit – I just wish there were somewhere like that in Scotland.
I went to investigate the reason for one of my favourite bloggers’ recent quiet spells today (he has changed blog host before and I suspected that was the reason) to be met with some tragic news. Doug died following an incident where he was tasered by police at a store for a minor misdemeanour. Anyone familiar with his writings (and they are usually not for the faint-hearted) would recognise the events leading up to his run-in with the law, as he had described numerous similar encounters, all good-natured and almost always resulting in someone (okay, usually a teenage redhead) being left feeling good about themselves.
The fact is that Doug lived the rock ‘n’ lifestyle to the best of his ability; not the drug-addled, constant partying mythology, but the real, gritty, struggling musician fighting for good, live music in the face of audiences who want to hear the same crap as they are spoon-fed on x-pop-idle-factor. It took him a while, but he did find a venue for his own blend of cover versions and original compositions that took a Zappa-esque delight in mixing the serious with the absurd.
As well as music, he loved writing, most often in a style influenced by Hunter S Thompson or H P Lovecraft. His occasionally posted recipes were always entertaining to read (and yes, his Gumbo recipe is pretty damn awesome), as were his tales of how he discovered certain bands and his explanations of his own bass and guitar-playing influences.
I can say with confidence, that it was Doug’s blog and his dedication to music that helped get me back playing music regularly after a break of many years. It gave me great delight to hear his enthusiasm for the piece of music I constructed around his original solo bass tune, “Requiem”, which then featured on our first album, Eponymous Debut.
I had hoped that I’d get to work with Doug again in the future on another project, but that was not to be. He leaves behind him two great achievements. Firstly a small, but thought-provoking and entertaining body of written and musical work and secondly his daughter Katie, his pride and joy, whom he taught to question everything and enjoy a good fart joke.
So long, Doug, keep on rocking!
First of all, I’ve signed up to do a song for the ‘Viva la Fry‘ project. Click on the link for more details of what it is. I have no idea what to do for this, but my inclination is to keep it very simple, maybe just uke and vocal. No deadline has been set, other than ASAP, which is pretty non-specific. They’re still looking for participants, so if you’re interested in going head-to-head with Coldplay, take a look.
If you’d like a bigger challenge, there is still time (until Monday) to sign on for the next edition of ‘Masters of Song Fu‘. Having done a few now, I can recommend the experience as a way to develop your songwriting chops and getting some useful feedback about your songs. I’m sitting this one out to concentrate on other things, but will be following along as spectator.
Finally for now, I have submitted another short story to the Great Hites podcast. My first one seems to have been well-received, so the new one may appear within the next few days. More details if and when it does, but it is a more serious story which feeds into ‘Some Other Scotland‘. If you haven’t heard (or read) the first one – have a look at the site – you can subscribe to the whole podcast or just read the individual stories if you prefer.
For the first time since it started, ‘Masters of Song Fu’ has been won by a challenger – well done Molly! They have already announced the date for sign-up for the next round, but I think I’m going to take a rest from the Fu for a while.
I need to devote more time to the Some Other Scotland podcast for a while, as Song Fu deadlines meant that podcast episodes have slipped back. I have a special non-story episode coming up soon (after episode 10 launches) that will deal with some questions I’ve had about the story. That has yet to be recorded, so please feel free to send questions and/or feedback to me at mickbordet {at} gmail {dot} com and I can reply on the podcast.
When the podcast started, I hoped to be able to expand the world with a few spin-off stories giving some background to certain characters or events – short tales that would stand on their own as well as giving more depth to the main story. I have come up with a rough plan for the first of these, though it has turned out to be a bit more ambitious than originally planned because it will be more of an audio drama than the main podcast. More news on that as I settle the thing down in a script.
I’ve also completed a short story for possible inclusion on another podcast, so details of that will follow if it comes into being. If it doesn’t I may just post it here instead.
All of this writing and podcasting activity does NOT mean that the music has been abandoned, though. There are a couple of possible guest appearances in the pipeline, a Lunacy Board session of some sort is long overdue and I have a few half-completed songs still kicking around from the FAWM challenge that need to be finished off. At some point soon I’ll also revisit the Song Fu material I have amassed and combine it into an album, though there are some parts to be re-recorded with the luxury of no deadline, as the originals make me cringe in several places. Finally, I have a top secret plan for a podcast-related musical piece that will surface at some point and, who knows, maybe one of these days I’ll get round to sorting out the pile of Dunoon songs.
The latest to come out of the Roy Harper stable is not his long-awaited next studio album, but this little film. It’s a joke you’re probably familiar with, but it’s so well-presented that I couldn’t help but smile. I’d love to see Roy do more of this sort of thing (once he’s finished that elusive album).
Another ‘Masters of Song Fu’ comes to a close with the final voting round posted today and it’s been fun. The format of the competition has changed significantly from the first time I entered, with all contestants staying in until the final round and letting us enjoy a much bigger collection of new songs. ‘Shadow’ entries for the final have also been encouraged, so my latest song can be found at quickstopentertainment.com, even though I didn’t make the final as a competitor.
As for the outcome, taking a look at the last set of vote results, I placed 12th out of 22, so just in the lower half – not exactly a shining star, but not too bad against some strong competition, and substantially better than the showing in the first Song Fu I tried. It’s interesting to see that several other people with lower scores in the first round (Jutze, Insane Ian and especially Edric) went on to pull substantially more votes in the following rounds, as I did.
I think I’ll probably take a break from Song Fu after this – there’s just too much other stuff to do at the moment, both on the ‘Some Other Scotland‘ podcast and other musical ideas I’ve had simmering slowly for a while. I’ll be pulling all the songs together shortly to make them easier to download in one go.
The challenge:
FRANKENSONG. For this fourth and final challenge, you must craft a composition that contains AT LEAST THREE (3) distinctly different songs within your final song, but which fit together into a cohesive whole. By distinct, I mean both tempo and style.
I struggled with this for a while, looking for three or four things that could be grouped together, yet remain unique in their own right. It finally struck me whilst looking for something on Twitter that it could be used for the song – indeed it could form the cohesive entity around a group of otherwise unrelated topics. I used the twitter search facility to find ‘trending topics’ and came up with four I thought I could write unique songs about that would fit under the heading “One Day In Twitter” – these were merely the most popular topics at the time I looked:
to Shallow Hal
suggesting otherwise, it’s apparently been a common belief that you need to be beautiful to sing/act/dance/etc. Like some warped version of a fairytale (with Cowell, Morgan and Holden as fairy godmothers?) the World has suddenly woken up to discover that ugly people can have talent. Welcome to the party, guys. The fact is that ugly people probably make better artists because they don’t get handed their career on a plate because some sleazebag wants to get them on his casting couch (or whatever the equivalent is for musicians). The music business took a massive detour thanks to MTV, resulting in the rise of the drop-dead-gorgeous-but-musically-bland artists we’ve been subjected to for so many years now, but maybe this will signal to them that there is something beyond airbrushed beauty.I wrote a verse for each topic and recorded a mini-song in a suitable style – mock-operatic for #susanboyle, emo rock for #ashtonkutcher, wistful waltz for #queryfail and robotic electronica for #badscifi. They are bound together not just by being twitter hot topics, but by the same chorus lyrics (the words stay the same, but the music is different each time) as well as some instrumental overlaps and a theme from the start that reappears later on. I had intended to feature a theremin part at the beginning and end, but ran out of time to practice it – hopefully I will get around to this and release a version which includes it. The whole thing is rounded off with a title that both describes what the song is about and serves as a hashtag for searching twitter.
#onedayintwitter
[Operatic/Musical Style]There are thousands of less than beautiful peopleWith voices to make a nightingale proudBut thanks to Mandy and Piers and CowellThere's one who won't throw in the towelPlease step forwards Susan Boyle, That YouTube clip will help you alwaysStand out from the crowd. [CHORUS]Tweet tweet tweet tweettweet tweet tweet tweetWhat'ya twittering on about?Tweet tweet tweet tweettweet tweet tweet tweetWhat's this twitter thing all about? [Waltz style]Authors harassing agents in a bid for Rowling fameQueryfail sparked off the "he said, she said" gameBut queryday has showed how much common sense is lackingIn some people sending manuscripts in the hope of getting backing * CHORUS * [Emo rock]How needy is the boy who craves a thousand, thousand followersDesperate to outnumber the avid newscast swallowersI'd never heard of Ashton Kutcher till his name came up on twitterBut will a million followers and Demi's arse stop his career going down the shitter? * CHORUS * [Tangerine Dream Style - robot voice]Making up names to substandard showsTwitter hive mind, borg-like compliesAvon visits a corner shop in "Blake's 7-Eleven"Art from the chronosynclastic infundibulum in "The Sirens of Titian"Noddy's looking for Replicants in "Slade Runner"All available on #badscifi * CHORUS *
I’ve been listening to Jutze’s album “HETEROSCEDASTICITY” on and off over the last week and thought it was worth a plug here.
Jutze provided a couple of sets of backing vocals for ‘Big Red Nose’ and is the only other person to complete a shadow Frankensong for the final round of the latest ‘Masters of Song Fu’. There is a nicely eclectic selection of songs on his album, which is named after a statistical term (and why not), ranging from acoustic ditties to heavy rock. He manages to out-R.E.M. R.E.M. on the song “I Wish Natalie Portman Was My Neighbour”, covers similar territory to Katie Melua’s “If You Were A Sailboat” with more wit on “If I Could Paint My Feelings” (“If I could weave my heart, I’d just make towels”) and even get a little serious with “Spirit She”. All of the songs are performed in English, apart from two statistical songs in German, which is a language built for rock.
The wonderfully chirpy “In Love With Michael Owen” reminds me of Judge Smith, which is high praise from me, and in fact the whole album does share a similar sort of low-budget charm with Judge’s earlier efforts “Democrazy” and “Dome of Discovery”.
So give Jutze a little listen – his whole album is available as a free download and would be a bargain at ten times the price!
Here’s a low-budget video for the latest Song Fu challenge song. Only the title was set for this round, so I took a little inspiration from the rather mixed reception the finale of ‘Battlestar Galactica’ received on the internet. Like several other popular cult series, it finished with several untied loose ends, some of which are quoted in the song. When it is running, you should be able to click on the little upward-pointing arrow at the bottom-right corner to switch on subtitles which display the song lyric.
If you enjoyed that, then please head over to Quickstop Entertainment and vote for it!
Quickstop have also now made the songs from the Red Nose Day special available, right here. During the webcast show one of the Song Fu-ers, Joe ‘Covenant’ Lamb, composed another song which can be found along with the other songs here. Incidentally, in the same way that a number of people guested on my Red Nose song, Joe’s Red Nose song also featured guests including me (playing yobstick and singing).
Don’t forget to donate – the Red Nose Net event raised over £4,000 for Comic Relief!
I finished the song at the weekend, but today is Red Nose Day, and so at some point today it should appear for your delight over at the webcast on Red Nose Net. It starts at 12pm EST (which I think is 5pm in the UK), and runs for 24 hours – I have no idea what time they will play the songs, but watch the video below for a brief preview. Once the song itself is available to download, I’ll provide a link to it as well.
This was a much more collaborative Song Fu effort than the others I have done, specifically because the challenge was to write a song that encourages the listener to join in. A select band of volunteers sent me their contributions to the song and they have been glued together into some sort of a consistent whole I have named “The Furfurescent Choir”. A big thanks to all of them for taking the time to do their bit and entering the spirit of the event with a wonderful selection of singing and other vocal strangeness. Their names are listed below.
The song is just a bit of fun, starting as an upbeat pop number and degenerating into a vocal meltdown. It may not be to your taste, but it’s all in a good cause – see Red Nose Net for more details.
Big Red Nose============ Intro - F C Bb F C Bb [verse 1] D G DWhen you're standing in the stormC G DRain soaked through your clothes D G DAnd people laugh at you C D'cos of the colour of your nose [verse 2]And you there, in the pubHeavy drinking prosLabelling yourselfwith the colour of your nose [chorus]F C Bb Everybody loves a big red nose Everybody loves a big red noseF G7 C F It brings a grin and it makes us laughF Bb C Everybody loves a big red nose [verse 3]You've got the man fluIt's running like a hoseTissues make it worseBringing colour to your nose F C Bb Everybody loves a big red nose x14
Music & Lyric: Mick Bordet Mick Bordet: Keyboards, guitar, bass & lead vocalA-DooM: DrumsThe Furfurescent Choir: Vocals (from left to right) Andy Roberts - http://distributedresearch.net/blog/ Paul Davison - http://stormcock.net/ Cruella Bordet Matt Walton - http://matthew-walton.co.uk/ Angela Brett - http://angelabrett.wordpress.com Jutze Schult - http://www.jutze.com
